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<Article>
<Journal>
				<PublisherName>دانشگاه گیلان</PublisherName>
				<JournalTitle>نقد و نظریه ادبی</JournalTitle>
				<Issn>2476-7387</Issn>
				<Volume>3</Volume>
				<Issue>2</Issue>
				<PubDate PubStatus="epublish">
					<Year>2018</Year>
					<Month>09</Month>
					<Day>23</Day>
				</PubDate>
			</Journal>
<ArticleTitle>The Methodology of Biography Writing in Mystical Literature Case Study: Attar Neyshabouri’s Tadhkirat al-Awliya</ArticleTitle>
<VernacularTitle>روش‌شناسی زندگی‌نامه نویسی در ادبیات عرفانی (مطالعه موردی: تذکر‌ۃ‌‌ الاولیاء عطار نیشابوری)</VernacularTitle>
			<FirstPage>143</FirstPage>
			<LastPage>166</LastPage>
			<ELocationID EIdType="pii">3292</ELocationID>
			
<ELocationID EIdType="doi">10.22124/naqd.2019.11748.1586</ELocationID>
			
			<Language>FA</Language>
<AuthorList>
<Author>
					<FirstName>بهمن</FirstName>
					<LastName>نزهت</LastName>
<Affiliation>استاد، گروه زبان و ادبیات فارسی، دانشگاه ارومیه</Affiliation>

</Author>
<Author>
					<FirstName>یحیی</FirstName>
					<LastName>حسینایی</LastName>
<Affiliation>دانش‌آموخته دکتری، رشته زبان و ادبیات فارسی، دانشگاه ارومیه</Affiliation>

</Author>
</AuthorList>
				<PublicationType>Journal Article</PublicationType>
			<History>
				<PubDate PubStatus="received">
					<Year>1970</Year>
					<Month>01</Month>
					<Day>01</Day>
				</PubDate>
			</History>
		<Abstract>Biography is a written account of the dimensions of a historical figure’s life. Therefore, it is now regarded as one of the main and effective components in the fields of literary and historical studies. Considering the various patterns and methods used to write biographies among different nations, one can pose the following questions: What principles and rules are biographies based on, and what categories are they required to consider in the domains of epistemology and ontology? What scientific place and stylistic features do mystical biographies have? And what sources and types of knowledge are used in the writing and concretization of these kinds of biographies? In this study of the methodology of mystical biographies, we have reviewed &lt;em&gt;Tadhkirat al-Awliya&lt;/em&gt;,one of the most prominent texts of mystical prose. As a response to the above-mentioned question, we have tried to provide a general overview of the literary, mystical, and historical nature of this work by utilizing new literary theories and analyzing its vast epistemic dimensions. Moreover, we have explained the role of biographical principles and how they are used by Attar in formulating literary and mystical propositions.&lt;br /&gt;&lt;strong&gt; &lt;/strong&gt;&lt;strong&gt; &lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Extended Abstract&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt; &lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;1. Introduction&lt;/strong&gt;&lt;br /&gt;Islamic mysticism revolves around the individual and social conduct of human beings. Mystical biographies in Islamic literature were originally written in Arabic and developed in a systematic way. Then, as a result, this kind of biography found its way into Persian literature. Using a limited number of his narrative elements, Attar chose elements that would help him make the different stages and hierarchy of mysticism reasonable to the readers. &lt;em&gt;&lt;strong&gt;Tadhkirat&lt;/strong&gt;&lt;/em&gt;&lt;em&gt;al-&lt;/em&gt;&lt;em&gt;&lt;strong&gt;Awliya&lt;/strong&gt;&lt;/em&gt; is a valuable mystical-literary work in which the teachings and details of the mystical life of the great figures of Islamic mysticism are explained. The narration and power of expression, the spirituality governing the text, and Attar&#039;s mystical interpretations and perceptions of the attitudes and conduct of the &lt;em&gt;awliya&lt;/em&gt; are among the elements that reconstruct the story of the &lt;em&gt;awliya&lt;/em&gt;.&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;2. Theoretical Framework&lt;/strong&gt;&lt;br /&gt;Biography is a written account of different dimensions of the lives of historical figures. In the present article new literary theories are employed to analyze the structures and principles of biography writing. Attar describes the lives of the &lt;em&gt;awliya&lt;/em&gt; in the form of short narratives in special narrative forms. While the new rules of biography writing are followed, Attar pays special attention to the moral and emotaional apsects of the &lt;em&gt;awliya&lt;/em&gt;.&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;3. Methodology&lt;/strong&gt;&lt;br /&gt;The present study employs the qualitative content analysis method to analyze different aspects of the writer’s mind. First, &lt;em&gt;&lt;strong&gt;Tadhkirat&lt;/strong&gt;&lt;/em&gt;&lt;em&gt;al-&lt;/em&gt;&lt;em&gt;&lt;strong&gt;Awliya&lt;/strong&gt;&lt;/em&gt; is examined as a biographical work using specific approaches in literary criticism. Then, the fundamental concepts of the book are analyzed and the structural and epistemological rules are explained.&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;4. Findings &lt;/strong&gt;&lt;br /&gt;In &lt;em&gt;&lt;strong&gt;Tadhkirat&lt;/strong&gt;&lt;/em&gt;&lt;em&gt;al-&lt;/em&gt;&lt;em&gt;&lt;strong&gt;Awliya&lt;/strong&gt;&lt;/em&gt; propositions containing profound epistemic and mystical meanings are closely intertwined with the literary language. Attar relies on intuition to recreate the mystical states and experience. He depicts the conduct of characters skillfully such that there is a causal relationship between the elements, and events occur in a specific time sequence. He connects seemingly unrelated mystical ideas, sometimes by identifying himself with the characters, in a way that they seem quite reasonable to the readers.&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;5. Conclusion &lt;/strong&gt;&lt;br /&gt;We have tried to provide a general overview of the literary, mystical, and historical nature of &lt;em&gt;&lt;strong&gt;Tadhkirat&lt;/strong&gt;&lt;/em&gt;&lt;em&gt;al-&lt;/em&gt;&lt;em&gt;&lt;strong&gt;Awliya&lt;/strong&gt;&lt;/em&gt; by employing new literary theories and analyzing different epistemic dimensions of &lt;em&gt;&lt;strong&gt;this work&lt;/strong&gt;&lt;/em&gt;. Thus, attempt has been made to explain the role of autobiographical principles, and how they are used by Attar, in formulating literary and mystical propositions. To recreate mystical states and experiences Attar mostly draws on intuition and persistence in different mystical moments. He uses his powerful expression, which dervies from his mystical experience and observation, in his literary expression and thus makes the lives and mental states of the saints understandable.&lt;br /&gt; </Abstract>
			<OtherAbstract Language="FA">زندگی‌نامه به‌مثابه گزارش و حکایت کتبی از ابعاد زندگی شخصیتی تاریخی است. این شیوه در عصر حاضر یکی از مؤلفه‌های اصلی و کارآمد در حوزه ادبیات و تاریخ محسوب می‌شود. با توجه به الگوها و شیوه‌های متعددی که در نگارش زندگی‌نامه‌های ملل مختلف به کار رفته‌است، می‌توان پرسش‌هایی به شرح زیر مطرح کرد: زندگی‌نامه‌ها بر پایه چه اصول و قواعدی نگارش یافته و در حوزه معرفت‌شناسی و هستی‌شناسی ملزم به رعایت چه مقولاتی است؟ زندگی‌نامه‌های عرفانی از چه جایگاه علمی و ویژگی‌های بیانی برخوردارند؟ و در نگارش و عینیت‌بخشی به این نوع از زندگی‌نامه‌ها از چه منابع و دانش‌هایی استفاده می‌‌شود؟ برای مطالعه روش‌شناسانه زندگی‌نامه‌های عرفانی، یکی از برجسته‌ترین متون نثر عرفانی، یعنی &lt;em&gt;تذکر&lt;/em&gt;&lt;em&gt;ۃ&lt;/em&gt;&lt;em&gt;الاولیاء&lt;/em&gt; را بررسی کرده‌ایم. در مقام پاسخ به پرسشهای مذکور و تبیین آن کوشیدیم که با بهره‌گیری از نظریه­های جدید ادبی و تجزیه و تحلیلِ ابعاد وسیع معرفتی &lt;em&gt;تذکر&lt;/em&gt;&lt;em&gt;ۃ&lt;/em&gt;&lt;em&gt;الاولیاء&lt;/em&gt;، شرحی کلی از سرشت ادبی- عرفانی و تاریخی این اثر ارائه دهیم و نقش اصول زندگی‌نامه‌نویسی و نحوه استفاده آنها را توسط عطار، در شکل‌گیری گزاره‌های ادبی و عرفانی تبیین کنیم.</OtherAbstract>
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			<Param Name="value">عرفان</Param>
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			<Param Name="value">زندگی‌نامه</Param>
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			<Param Name="value">زندگی‌نامه‌نویسی</Param>
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			<Param Name="value">عطار</Param>
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<ArchiveCopySource DocType="pdf">https://naqd.guilan.ac.ir/article_3292_ab64f311e7332c1c40d57fd04853e869.pdf</ArchiveCopySource>
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