Document Type : Original Article
Authors
1
Assistant Professor of Persian Language and Literature, University of Guilan, Rasht, Iran
2
Doctoral student of Persian language and literature University of Guilan, Rasht, Iran.
Abstract
The orientation of the history of thinking in the confrontation arrangement, man with good, reason, law, order and religion; And he has compared the woman as "other" and the rejected thing or evil, ego, lawlessness, rebellion and mysticism. The current research, considering the common characteristics and function of mysticism and the feminine - in the sense of rebellion against the dictated order, linear logic and uniaxial discourse, as well as by detailing concepts such as the materiality of the principle of life, the belonging of love in the human institution to the materiality of the soul, power And the ability of creativity in women, the constant presence of a woman in religions, myths, etc., next to God/the Supreme Being, etc., brings to the audience an aspect/area of femininity/feminity in mysticism, and from this point of view, The reading and analysis of Kashf al-Asrar by Rozbahan Shirazi and shows how Rozbahan's style of beauty and lived experience has established a feminine and bodily dimension in , Kashfolasrar.
This research explains that in the approach of anthropomorphism and relying on the concept of beauty in the field of mysticism, the conceptual/central metaphor of the bride in Rozbahan's thought with the attendant and non-steward adjuncts and correlates elaborates the network and metaphorical system that beauty It represents strength and femininity together; A metaphor that is the focal point of Rozbahan's mystical formulations of truth, prophet, angels/Gabriel, Lord and Rozbahan himself.
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