نوع مقاله : مقاله پژوهشی
نویسندگان
1 دانشیار زبان و ادبیات فارسی، دانشکدۀ ادبیات فارسی و زبانهای خارجه دانشگاه مازندران، بابلسر، ایران
2 استادیار زبان و ادبیات فارسی، دانشکدۀ ادبیات و علوم انسانی، دانشگاه گیلان، رشت، ایران.
چکیده
کلیدواژهها
موضوعات
عنوان مقاله [English]
نویسندگان [English]
Ashuri is one of the contemporary Iranian thinkers who has significant reflections on the nature and coordinates of "poetry" and the present research tries to investigate and criticize his opinions in this field with descriptive-analytical method. The results of this research show that Assyrian, with its philosophical and linguistic background, adopts a phenomenological approach to poetry and its vocabulary. In his view, poetry is an incident that happens in the world and everything that happens in the world is reflected in the language. In his opinion, the most important source of poetry is the poetic experience of existence. Although he considers "feeling", "emotion" and "imagination" as the essential elements of poetry and considers the music of language to be an inseparable part of poetry, he believes that the definition of poetry and the aesthetics of the readers in each A period is different from the previous periods, and the poetry of the poem is confirmed when the composer and its readers have reached such an understanding. Ashouri emphasizes the inseparable intermingling of form and meaning in poetry, and among the types of Persian poetry, he finds romantic-mystical sonnets and rendane poetry closer than all other types of poetry to pure poetry, where the instrumental character of the language is color. It loses and the poet displays the deepest manifestations of his emotions and feelings. reproposing the conflict between philosophy and poetry, Assyria does not consider the present time as the time of birth and growth of original poetry and poets.
کلیدواژهها [English]