نوع مقاله : مقاله مروری
نویسندگان
1 استادیار زبان و ادبیات انگلیسی، دانشکده ادبیات و زبانهای خارجی، دانشگاه تهران، تهران، ایران.
2 کارشناس ارشد زبان و ادبیات انگلیسی، دانشکده ادبیات فارسی و زبانهای خارجی، دانشگاه علامه طباطبائی، تهران، ایران.
چکیده
کلیدواژهها
موضوعات
عنوان مقاله [English]
نویسندگان [English]
This study undertakes a visual exploration of Forough Farrokhzad's iconic poem “It Is Only Sound That Remains”, revealing how her aesthetics blur the line between reality and the surreal to uncover humanity in its raw, existential form. While much of Farrokhzad’s poetry has been examined primarily through biographical or feminist perspectives, often emphasizing linguistic and semantic elements, this study shifts focus to a visual reading of her poem. Through this approach, the poem’s persona visually embodies Heideggerian themes—such as existential anxiety, finitude, Being-toward-death, the call of conscience, and becoming—each contributing to the study’s central focus on authenticity. Farrokhzad imbues her concrete imagery with layered meanings that push these images toward abstraction, imbuing the poetic world with an atmosphere of existential anxiety. This inherent instability in language deprives the poetic persona of any fixed identity, urging a redefinition of being as an evolving process of becoming. The emergence of abstract symbols, such as light and sound, ultimately enables the persona to transcend the inauthentic realm of the “they,” moving toward a dynamic, original state of authenticity.
کلیدواژهها [English]