بیوتن: روایتی از دیگری فرهنگی

نوع مقاله : مقاله پژوهشی

نویسنده

استادیار زبان و ادبیات انگلیسی دانشگاه کاشان

چکیده

مقاله حاضر به ­بررسی مقوله «دگرشدگی» در بیوتن، اثر برجسته و پرفروش رضا امیرخانی، می­پردازد. نویسنده مقاله با استفاده از رویکرد چندفرهنگی و با بهره­گیری از نظریه منتقدانی نظیر ژیژک در پی پاسخ به ­­این پرسش بنیادی است که آیا امیرخانی بازتاباننده گفتمان چندفرهنگی است یا آن را به­­ چالش می­کشد؟ بدین منظور دو مفهوم «دیگری» و «دموکراسی» -مفاهیم بنیادی گفتمان چندفرهنگی- مورد بررسی قرار می­گیرند. چنین استنباط می­شود که اثر امیرخانی «ضدروایتی» است که درهم­ آمیختگی مرزهای نژادی، مذهبی و فرهنگی، چندگانگی هویتی شخصیت­ها را به ­معنای فروپاشی «کلان روایت­» بنیادی گفتمان انسان­گرایی لیبرال نمی­داند، بلکه آن­ را اقدامی صرف در راستای حفظ نظام سرمایه­سالار برمی­شمرد. جهان بیوتن، در­حقیقت، می­تواند نمایشی از جامعه «پساسیاسی» به تعبیر ژیژک می­باشد که در آن «تبیعد» ویژگی بنیادی پساجهانی­شدن و «سرمایه» (به­ جای «جغرافیا») تعیین­کننده مرزهای «خود» ا­ز­ «دیگری» است. در­ چنین فضایی تاکید بر«دموکراسی» نه­ تنها عاملی است در­ راستای پنهان­کردن ساختار سلسله مراتبی «غرب»، بلکه راهکاری هوشمندانه برای گریز از­ شناخت «اقلیت نامرئی» است.

کلیدواژه‌ها

موضوعات


عنوان مقاله [English]

The Stateless (Bivatan): A Narrative of the Cultural Other

نویسنده [English]

  • zahra Taheri
Assistant Professor of English Language and Literature, University of Kashan
چکیده [English]

This article focuses on Reza Amir Khani’s The StatelessBivatan ─ (2008) in an attempt to find out whether Amir Khani reflects mulicultural policies or criticizes them. To this end, two major themes of “othering” and “democracy” are examined through the perspective of cultural studies and the deployment of Žižek’s theory of the post-political world. It is argued that Amir Khani offers an anti-narrative in which the hybridity of racial, ethnic, religious, and cultural notions does not imply the collapse of liberal humanism’s meta-narrative of ‘self/other’; on the contrary, it offers a front to protect liberal capitalism. Such a world is discussed to be a version of Žižek’s post-political society where ‘exile’ is the basic condition of post-globalization, and ‘capital’ instead of ‘geography’ does the map-making. In this world, Democracy is presented not only as a masque for the current hierarchical system but also as a deliberate strategy to deny ‘recognition’ to post-global exiles.
 
Extended Abstract
 
1. Introduction
While multiculturalism is believed to have developed simultaneously with the advent of globalism in the second half of the 20th century, rarely has the world witnessed the collapse of geographical, cultural and racial boundaries, on the one hand, and the breakup of national and ethnic identities, on the other hand, as it does today. This has resulted in ambivalence and hybridity in the West, as inseparable elements of postmodern life. Yet, it seems that the West is still obsessed with its colonial discourse and treats minorities based on the Hegelian master-slave system. Following the September 11 events, with the onset of the so-called “war on terror” policy in the West, conflicts were reduced from cultural-racial wars to wars between religions and led to the “double otherness” of minorities – especially Muslims – and their visibility. Writers and critics have been concerned with multiculturalism globally and challenged the post-political world. Reza Amirkhani is among the first Iranian writers to have focused on contradictions in multiculturalism in the form of migrant literature and dealt with it in his novel Bivatan [The Stateless] (2008).
 
2. Theoretical Framework
The present article draws on the New Left discourse – especially the ideas of Slavoj Žižek and Giorgio Agamben as two prominent figures – which was developed in the late 20th century to criticize the discourse of multiculturalism. This discourse, by deconstructing democracy as a lever used by the power discourse to suppress “the other”, tries to introduce multiculturalism as a new version of the colonial discourse, which instead of employing violence, politicizes cultural differences based on the liberal humanist discourse. The ideas of postcolonial critics, such as Homi Bhabha, are also relied on in the present study as the ideas of both group of thinkers overlap in many ways.
 
3. Methodology
In the present study the multicultural approach and ideas of New Left critics are adopted to discuss the concept of the non-Western “other”. By rereading the text of the novel, the author tries to deconstruct the power discourse and open up a new intellectual horizon to the West from the viewpoint of “the other”.
 
4. Findings and Discussion
Reza Amirkhani’s Bivatan can be regarded as an account of the life of a man who, impressed by propaganda and scientific progress of the West, seeks “life” in the US but is eventually sentenced to “death”, in the figurative meaning of losing all values, freedom and humanity, because of the crime of “otherness”. This novel is in fact a representation of the contemporary society of the post-political era in which the capitalist system has been able to replace older concepts such as “ethnicity”, “nationality” and “identity” with modern myths such as “multiculturalism”, “democracy” and “citizen rights” and thus develop new criteria for the evaluation of personal, cultural and social values, which are based on “utilitarianism”, “relativity” and hierarchical relationships.
 
5. Conclusion
The US described by Amirkhani represents a society that, contrary to its claims regarding freedom and democracy, is police-dominated and controlling. In such a society, which is revolves around the imperialistic “self/other” dichotomy, the “other” is always a threat that should be controlled at any price so that the civilized Western “self” is not endangered. Tyranny and suppression are inseparable from this society and the main prerequisite for accepting people is adapting oneself to American logic and Western values. In fact, this represents the commitment of American society to maintaining the colonial logic that is reflected in the speech made by George W. Bush, following the September 11 Attack:  “either with us or against us”. 

کلیدواژه‌ها [English]

  • The Stateless (Bivatan)
  • Reza Amir Khani
  • Democracy
  • Othering
  • Žižek
امیرخانی، ر. 1389. بیوتن، تهران: انتشارات علمی.
بشیری، م. ۱۳۹۱. سبک شناسی رمان بی­وتن، پایان نامه کارشناسی ارشد زبان و ادبیات فارسی. تهران: دانشگاه علامه طباطبایی.
صادقی، ز.  و اسدیان، م. ۱۳۹۵. «بررسی هویت فرهنگی، دینی و تاریخی در رمان بیوتن نوشته رضا امیرخانی».  فصلنامه مطالعات ملی،  (۶۷): ۵۲-۳۵.
فرهنگی، س. و باستانی خشک­بیجاری، م. ۱۳۹۳. «نشانه‌شناسی اجتماعی رمان بیوتن». نقد ادبی، (۲۵): ۱21-۱52.
کافی، غ. و جعفری، ر. ۱۳۹۶. «شگردهای آشنایی‏زدایی در رمان بیوتن (رضا امیرخانی)». نشریه زیباشناسی ادبی، (۳۱): 9-28.
گرجی، م. و حامدی، ی. ر. ۱۳۸۹. «بررسی و تحلیل رمان بیوتن با تأکید بر شخصیت و شخصیت پردازی». دوفصلنامه مطالعات داستانی، 1(1): ۱61-۱83.
نگاری، ف و صلاحی­مقدم، س. و  فقیه ملک­مرزبان، ن. ۱۳۹۶. «بررسی مؤلفه های طنز در رمان پسامدرن بیوتن بر اساس دیدگاه سیمپسون». فصلنامه مطالعات نظریه و انواع ادبی، (۱): 37-54.
 
Agamben, G. 1998. Homo Sacer: Sovereign Power and Bare Life, Stanford: Stanford University Press.
Appia, K. A. 1992. “Identity, Authenticity, Survival: Multicultural Societies and Social Reproduction.” In Multiculturalism: Examining the Politics of Recognition, Ed. A. Gutmann. Princeton: Princeton University Press, 149-163.
Bender, T. 2002. The Unfinished City: New York and the Metropolitan Idea, New York: New Press.  
Bhabha, H. K. 1994. The Location of Culture, London: Routledge.
Chae, Y. 2008. Politicizing Asian American Literature: Towards a Critical Multiculturalism, London: Routledge.
Dean, J. 2005. “Žižek against democracy.” Law, Culture and the Humanities, (1): 154- 177.
Downey, A. 2009. “Zones of Indistinction: Giorgio Agamben’s ‘Bare Life’ and the Politics of Aesthetics.” Third Text, (23.2): 109–125.
Fish, S. 1997. “Boutique Multiculturalism or Why Liberals Are Incapable of Thinking about Hate Speech.” Critical Inquiry, (23.2): 378-395.
Gilroy, P. 1993. The Black Atlantic: Modernity and Double Consciousness, Massachusetts: Harvard University Press.
Grillo, R. 2010. “British and Others: From Race to Faith.” In Multiculturalism Backlash, Eds. S. Vertoves and S. Wessendorf. London: Routledge. 50-71.
Gutmann,A. (Ed).1992. .Multiculturalism and the Politics of Recognition, Princeton: Princeton University Press.
Hall, S. 1993. “Cultural Identity and Diaspora.” In Colonial Discourse and Post-Colonial Theory, A Reader, P. Williams and L. Chrisman. Eds.New York: Harvester / Wheatshief.
Hollinger, D.A. 1975. “Ethnic Diversity, Cosmopolitanism and the Emergence of the American Liberal Intelligentsia.”  American Quarterly, (27.2): 133-151.
House, C. 2001. “Imagining National Space: Symbolic Landscapes and National Canons.” In New York and Toronto Novels after Postmodernism, Caroline Rosenthal. Ed. New York: Boydell & Brewer.
Lentin, A. and Titley, G. 2011. The Crises of Multiculturalism: Racism in a Neo-liberal Age,  London: Z Book.

Mafi, M. 2004. New York City: An Outsider's Inside View, Clombus:The Ohio State University Press.

Philips, A. 2009. Multiculturalism without Culture, Princeton: Princeton University Press.
Shepperd, E. 2006. “David Harvey and Dialectical Space-Time.” In David Harvey: A Critical Reader, Eds. N. Castree and D. Gregory. Massachusetts: Blackwell: 121-141.
Sim, S. 2001. The Routledge Companion of Ppostmodernism, London: Routledge.
Taylor, C. 1992. “The Politics of Recognition.” In Multiculturalism and the Politics of Recognition, A. Gutmann (Ed). Princeton: Princeton University Press. 25-74.
Upstone, S. 2009. Spatial Politics in the Postcolonial Novel, Burlington: Ashgate.
Wilson, K. (ed). 2010. Looking at Ourselves: Multiculturalism, Conflict & Belonging, Oxford: Interdisciplinary Press.